Saturday, 5 July 2014

ODE TO FANNY BRAWNE

‘My holy see of love’
                    John Keats

I can’t see beyond my-
Self, lost in a world of dis-
Ability. A post-card came
Through my door, a tiny
Touch of humanity, the tiny

Clumps of colour took my mind
Away from wheel-chairs, monkey-
Poles and grab-rails, shower-chairs
Beside disabled toilets, beside me.
For a moment
It truly amazes me how John Keats
Stood away from his death dressed
Only in his negative capability.

Fanny Brawne must have been a woman
And a half. Forty five years of my memory
Was erased in a stroke so I can’t see beyond
Myself, memory has been ten years in hell but

I’m beginning to see the light.



SNOB


The raindrops fall on my window

And drip like tears of yesterdays? 

Grief. Life is all about money, greed 

and killing not love and respect.



I phoned ‘Life-Line’ to find a positive

To this negative but all people can do

Is listen. Humanity is supposed to

Cancel out the suicidal negativity but



It’s full of killing and war for money.

There are no rights to cancel the wrongs

There is no good and evil. There are

No answers just questions so my only

Positive is within my negative. Duality


Life isn’t a one way street but every road

I go down leads to a barricade of the mind.

Just like when I was a refugee child, 

now I’m a refugee man with no way out alive
You have left me no choice but in.


                                                 A MEMOIR BLOG OF POETRY AND PROSE

1.

The clouds in blue go drifting by
                                          finding formation, smeared by light.
A ballet of dancers upon my stage
                                     piroetting thin air, in my mind their true
just like the lie that becomes my truth.

My Father lived within a lie all his life but
he knew no different, left on a doorstep in
a basket, north Belfast, by a blood red door.

That to might be a lie, but the lie lies buried
in the black hills above Belfast
back where it all began.

2.
The only truth he ever knew was my Mother.
Big Pat as she was known because you could
trust her with your life.

Born the daughter of a Dublin Mother, 1933
trying to rare a young family.  Growing through
the hard days of Ireland becomeing an independant
nation and losing her husband, just 27 to T.B.

Margaret Keogh was a proud independent lady
against her families wishes she upped- 
sticks and moved her family to London
where her children could find work
despite the signs that read

NO BLACKS!

NO DOGS!

NO IRISH!



THE SON OF A BASTARD SON

PART 2

I loved my father but he was the biggest
Bastard in my world.  So began the fight
Of a life time that still goes on to this day.
He started my anti- authoritarian attitude
we were fighting for the love of the same
woman, my Mother.  He made my life hell
but it wasn’t his fault, I was abandoned in
childhood just like he was left at a door.

It all began when I came out of the high-
Chair and freedom of speech became my
Barricade, I was going to fight for my prize.
He said I was a spoilt brat who needed to
Much attention but I was just a boy an you
Were just a mum.  He found his mother in
You, I don’t want to knit pick but he was
A bastard but that wasn’t my fault.

He’s dead now but I’ll never forgive the old
Bastard for making me look down at the floor.
I was forced down from the day I was born
All because I love my mother.  Pity he couldn’t
See that she was the best thing that happened.
I was the son and he came down on me.  He doesn’t
Have to fight no more, he’s in the earth with
Mother earth.  When I was sixteen I said no more
And hit him a dig in the head and he found the floor.
Mum I’ll have to go before I kill, the bastard.




THE SHELL-SHOCK SHELL

Do I wear a shell-shock, shell that
 guards me from the horrors of
Humanity like a Dickensian cloak
of optimism?

I don’t do that silly angelic sentiment
That makes the world a nice place
To live in.  I live in the horrors of hu-
Manity everyday as if I’m doing my
Fathers bastard life time, this is my
White noise.

I’m in the helicopter being flung out
But I’m only six inches of the ground
With a sack over my head, my foot-
Plates still get stuck on the ramps.

Being beaten with rubber hoses
This is inhumane.  We live on a land
Of peace now.  Gone are the days
When I visited my father in the crum
With my mum.

A shy little boy holding his mothers
Hand.  Outside there was war on
The streets.  This waiting around
To die is a suffering fucking hell
In this suffering fucking cell.

We have survived the first second
World war the holocaust and
The troubles, we haven’t had one
Day’s peace on this earth ever?

I face life, head on.  I live in honesty
And truth.  We’ve been through
the rope, the guillotine and the gun
lets not go back  to the middle ages
now let’s live in peace.

This is Inhumane

THE RAVEN

My right hand like a talon
Up turned, a dead bird.
A raven, these are my cries
Of Lenor.  Forever perched
Upon this wheelchair, once
I watched from the ramp-
Arts.  Looking down at
The barricades, I now live
In peace time.  No longer
On Edgar Allen Poe’s wing.
I’ve seen war and darkness
Bearing down on me.

The wheelchair repair man called
From somewhere up there on
the east, I’m down here on upper
Bann like a dead bird waiting to fly
fly away from this dirty boulevard.
Fly on the wing of Lou Reed, I am
His raven at heart.



RAISED TO THE GROUND

Words cling to life like the hinges of negative
 space carrying a poem.  Waking up in an-
other dimension, the trauma of death
almost catching you up.  We come from dark-
ness and go to darkness, a formless being
being formed.  An infant in an adult shell
shock, without language to take you along
the rails.  Dark then light, light then dark,
then there is nothing but light, time travelling.

Life is there in the rubble of time but debris
Is hard to build, begin anew.  Death hasn’t got
the best of you yet, build it back up to fall in
the ruins.  Raised to the ground in a shell shock
mind, doing  time..


BEING HUMAN

When life is desperate
We create a negative-
Capability within us.

When we can’t find
A way out or into life.

At this time of need we
All need a spiritual centre.

We dig deep to find a dharma
Or god that ejects us from
Despair and takes us to that

Higher ground where we
Can settle and almost be free.




THE INTERIOR CASTLE
After Rilke

This is my un-adopted castle
The world exists within me.
The external slowed in motion
Where once stood a house
A family, a Mother, Father
And a god, now images take
Their place.  To flow through
Imagination from the well of
Life, time transmits an energy.
We no longer worship in temples
The energy omits an old way
Where we can be secretly saved.

I am the king of this un-adopted
Castle, this is an expression from
Within that needed pillars, statues
And a throne but I’ve got a wheel-
Chair a brain and a left hand, home.

But I’ve got a wheelchair
A brain a left hand, home.



THE RHYTHMIC CREATURES

I thought the whole point of poetry was to reach beyond that egoless ego
And reach beyond snobbery, I’m just a spineless confessional poet.
                                                                                                                     Adrian fox


Poetry is in the air, were bombarded by words.
We are the catalyst, the rhythmic creatures
That find form in these words, labelled signs
And un-labelled signs like street, cars, house,
Road, tree, me, words are in our blood with-
In our D.N.A.  Whether you’re creating a novel
A short story or a play it must be poetic.  Even
Art is a poetic image of what you want to re-
Present, it’s up to us to make sense of this
World even that name is created by words
World is made up of word, this is a pome
Created by the world we live in:

The sun shadows the street, the cars go by
in style.  I’m within this waking dream of me
and you’re within this waking dream of us
so let’s start  waking to the dream. 
I have to put the break-
Fast dishes away
and make room
for my day.



                                       Adrian Fox does odes:




ODE TO KEATS

My heart aches a numb and lonely pain
as though a sad elixir were shot through.
A pale faced melancholy rises evaporating
rivers of sentimental happiness.

The winged leaves of nature sing
the notes of spring, summer, autumn
And winter.  It’s as if at birth I was
given a dose of negative capability
and even in this death of life
my poetic mind is tinged with a glimmer.

Flying in this moment on wheel-chaired
Chariots, I feel the flowers at my feet
and the rains upon my brow
embalmed in un-adopted darkness
within this waking dream.




ODE TO TRUTH

' beauty is truth, truth beauty,-that is all
ye know on earth, and all ye need to know.'

John Keats died for humanity
it came to me like a bolt from blue
it galloped right out of a dream
as if he was speaking his blue true.
The truth of his negative capability 
is walking around in you, do you 
want the truth of the stable-boy 
do you want what's living and true.
he died from disease, his dis-
ease was his truth and the truth
is better than fiction and that's all 
you need to know.



SWOON

1.

I cannot swoon at nature be-
cause it cannot swoon at me.
I’m coming and going against
The grain of life.  Plain-ed
And ground down by time, I can-
Not find my absent mind.  My
Paralysed hands can’t even hold
This pome down in a pen.  This
Is my syn-drome, my cadence?
And my assonance of un-sound.
My head coming to a head,
The light within me.

2.

The blossom on the tree
Hangs like raindrops
On the sky. Through an-
Other window it looks
Like he is going by. Leaves
Are his nose and eyes
He’s the horseman riding-
Drifting by, the poet of all
Poets in a Keatsian sky.

Nature hangs there off
The branch, his mood
Changes like the hanging
Wind that contours every-
One.  He is the man of each
And every season, he tells
Me that summer is
The reason.  Why the blossom
Rains in June and fruits are so
Pleasing, life is so true says he
Beauty is there in winters-
Freezing, the bare tree in-
Ticing twigs are knitting
Nests of hope for us
To cope, gems of light
And wonder.





COLOURFUL BLACK BLOOMS
For Franky

I woke this morning to cold water music trick-
Ling my room full of black full stop blooms.
That’s what i‘ve surfaced to every morning for ten years
 a symmetry of black full stop blooms to start my day, like
womb dreams blotches before my eyes.

I heard yesterday my friend Frankie died, Frankie
Was in my stroke group, I remember that smile behind
his roll-later handing me a cup of tea and sitting beside
me and the woman who took nine strokes that
you saw in her eyes just like the colour of
iris’s blooming in my head.  I had to stop going 
it was so depressing when those friends began
to work my mind when I closed my blue door a-
lone, that place wasn’t a nice place, I woke to that
symmetry of un-colour everyday like the colourful wall-
paper of my youth.  Why is life so harsh, we
have to have a release mechanism to
let our friends go. 

I always remember those blooms from my child-
hood like a wreath for Frankie.

I’m there in spirit mate.  The cold water music sounds like
a cortege, why is life such a sad son of a bitch.
I’ll always remember them blooms those colourful black
Embers of life, my funeral pyre, his smile will trip you in
The long grass.









Saturday, 28 June 2014



CIVIL WRONG


Humans are losing humanity.

Shell-shocked by the first
The second and civil war
That makes us a civil wrong.



Our society builds a big bonfire

To celebrate war, what a sick
Sad society.

We’re going back to the good
Ould days. Its times like these
I’m glad to be locked-in, all alone
In my solitary joy.




THE DEAD FORM



The dead live in a pome.

Their voices merge with-

Out rhyme or reason.


Unsung songs

Of the grave.



Through the grey ashen

Morning splashing along

The river road, I hear bird-
Song dawning.

I can almost smell the shape
Of sleep, soiled trans-parent-see.
I kick the pile of strong empty
Beer cans, did I leave them there
Or you?

I see him coming down un-singing
‘its your party, you can cry if you
Want to’, ‘You don’t have to be
A baaaby to cry’ carrying that
Bastard life. ‘You would cry to if
It happened to you’.

My pomes aren’t read by metre
Rhyme, punctuation, grammar
Or spelling. Their read by feeling
You can’t semi-colon emotion.

My words stop start. She turned 
to me and smiled that con-
fused smile and said, ono-
matopoeia, my life is
my death.  


CHILD'S PLAY


A swing, a slide and a trike

Hurtle us through space

And time but the branch

Of a tree is a gun and stops

Us, nature is nurtured to kill.



We can’t stop this, I know.

That’s how we won the west.

We have to un-cycle violence.

Back pedal back to humanity

Slide back up the slide in our

Minds, swing back on the swing

To go forward into a non-

Violent day, way.



We are now on nuclear termin-

Ology, how did we ever get here?

We have to change a mindset for

The sake of man-kind.  We are going

Through life at a ballistic rate.





and held like a legend, and understood.


then the knowing comes:  I can open to 

another life wide and timeless.

                                                  RILKE



A MOMENT US POME




1.

The moment changes from this
To that in an instant.
One second you’re a published poet
In love with life and love.


Next, you’re a mumbling paralyzed fool
Who can’t walk or talk
And in a wheelchair.


Alive again in time, looking out
A window trying to find form
But form finds you.

Form is out there in nature, it
Turns life around again.
The moment only stays un-
Till the moment spins around again.

Life is like a pitch ‘n’ toss coins landing
heads and tails in the wet clay.
You go from this to that, form
Finding form.



2.

I have seen darkness and it is dark.
I have seen light and it is light, in-
Between there is only

This grey matter switching
Off and on.  Words catch up
In and out of sight, were playing



Catch up.  Every moment is
You’re first and last.  Life is re-
Pet-ative but it’s mine.

THE DAY I DIED


This is all I have ever since
April 2005, during a stroke
My memory was erased or
So I thought, whether this
Is true or false I’m compelled
To write this into my memory
Bank.  The mind recovers
Moments you write back into
Time.  I stood there just a boy
On the hill of Holy Cross church.

Holding a plastic prayer book on
My way to a mock confirmation
Mass, my Father in the Crum, my
Mother in Armagh jail, both doing
Time for Ireland.  I stood there looking
Down at a man spraying a hail of bullets
At three people dead on the ground.

He raised his gun into the air screaming
This is for god and ulster, I looked at
The great doors and threw away my prayer
Book and ran home crying.  A ricochet re-
Bounding moment like bullets of the ground.


I think I remember it well.


SKYWALK

This is the season of jet streams
lines shoot right out of the blue.
I can sit down here finding hope
in humanities hope.  This is my
blaze of trail, I don’t need to leave
behind a vapor of pomes, words
that just go up in smoke.  Re-

member where you came from
to get where your going to and i can
sky-walk your lines balancing my
hope and my truth, give something
back to humanity and you can
sky-walk to.  I’ve been all over

this world and met some wonderful
people who have sky walked these
words with you, words vaporize
in hope I hope and leave behind
a line or two.  Just as I write this

there’s another two and the lines
shore in my heart,  making me feel
that I'm not alone lost, lonely a-part.
There’s a line somewhere up there
that leads right back to the start.



            Poetry is like sunshine it's free






                        'It is human to look down 


on things that have fallen'


                          Alden Nowlan




FLAW

While they raided a house down
The street for guns, I searched my
Mind for these words of light.  Seems
Conflict is passed through gen-
Orations like the error of memory.
‘Do you know we haven’t had one?
Day’s peace on this earth ever:  A fact.

It dawned on me, the strong spring sun
Shot through the flaw of glass reflecting
Colour of the door handle like the words
Of Lou Reed came alive, ‘Different colours
Made of tears’.  A hologram of light,

A mixture of memory in a rainbow of pomes.
The colours of everything I’d ever seen reflected
Of a door handle.  Shot through like a glance
Of every pome I ever wrote shining for me
And for you, if you look?  Grief will always

Catch up with you so let humanity flow.




o.c.

I don’t dream much these days
But writing my memories keeps
Me sane. My Fathers plot of weeds
And wild grass cries out for order.
The fallen wooden cross bears no name

Just like the seed markers he planted
To say which is which, the plot he turned
In an acre and a half of land to plant
Lettuce, cabbage and carrots from
A packet of seeds.

I was left in charge to see them grow.
Forgotten little shoots that nurtured
Into grief, un-weeded neglected was
Your theory of living of the land.  City
Dwellers trying to be country-folk.

Now you lay beneath the land you fought for
without a flag to wrap around your bones. 
We don’t even know where your plot is?
So how can we weed a plot we do not know

from what is what.



UN-POLLUTED JOY

‘Loving them all the way back to the source,
Loving everything that increases me’.
Raymond Carver

The mind creates a form like
Shadow goes into light.
The form becomes a memory
Of what I done yesterday.
A childhood I thought was erased
Almost like an anagram my mind
Is raised to remember yesterday
Today. Words have a healing prop-
Erty if you let them form, only like
They know to flow. Words find
A way to journey through the mind
To feel the tremble of light in un-
Polluted joy, to wake up on another
Shore with Raymond Carvers sight, might.

i was talking to a housing inspector about a dis-
abled door and this came like that.

THE GLAD STREAM

The spittle from my pen leaves
Its mark upon the page, a heart
Pierced by a sword.   My Father used
a gun to find peace, I used a pen.
‘ The glad stream’, metal and plastic power’.

I’m reading Coleridge while the young couple
on the far bank are moving. I’ll miss them
at the backdoor coming out for a smoke even
If they never say hello, it felt like some-
one was there.  The cot and toys are being
shifted into a van, the white door through
the fence has closed a chapter.  The sky

is blue and the river of cars flow by.

BLOOM



The world goes on and on and on
But I’m here and here and here.
A plastic urinal looks up and blooms
Between the wheelchair and the dis-
Abled toilet.  I’ve been reading poets
And poems and poetry but can’t find
A link to my home. Poetry is out there
in the meadows and trees but I’m
Locked-in alone.  I put a search into
Google for poets who took a stroke
Nothing came up.  I turned away
In my wheelchair to see my leg-
Lifter and my grabber catching rays
Of sun on my profile bed so I suppose
The only link is the sun coming in
And this pome going out.  A pome
From a un-romantic, un-academic
Spineless confessional poet, there
I said it that word poet but I’m just
A shadow of my former self living
A stanza in me.




SPRING SHADOWS


Spring shadows, thick and black
They make a tree look like a tree
Within a tree. A lazy lonely mid-
Day as if the shadow was painted
By Edward Hopper. The shadows
Fall in this sun against the cloud-
Less blue like it didn’t need any
More to be today. The shades
Of yesterday are with us, cele-
Brating this glorious sunshine
Falling upon contrasting light,
Being.


A COLD FRONT


I have to dig in deep

to find a purpose

to find a stanza that

translates my soul.


My purpose is to be-

come a silent poet

a screaming din with-

in a noiseless state.


A person that is way be-

yond a person a human that

seeks to find humanity

a searcher of the truth within

the search, a man that has

touched his own black hole.


A POEM INSIDE A POEM


A poem inside a poem

revealed it-self to me

showing a slant of ages

like an image within

an image.


Coming out of dark

a bi focal trick in the eye

of concentration to go

deeper and deeper into

grey matter.

LIFE 

We feel death in the numb-


ness we cry, grieved tears

are felt unlike sentimental joy.


Tears of loss are full of empathy

and truth, death is passed on like

life, it's so natural we forget.


Death isn't talked about it's felt!

Numbness seeps into our bones

we feel in our flesh.  Death is 

  

A living thing, grieve life.





GUTTERS OF SKY


The birds that rule the roost drink in gutters of sky.

We only think were fat cats

living the fat cat lie but really

the Avenue is an alley with

the stink of the filthy rich.


When will the world give to

humanity without investing

a soul.  All we want is a yacht

car and home, the birds will

always drink in the gutters be-

cause they have a home

and they can fly.


We will build them ever higher

and higher but we will never be

able to fly.  When will we ever

come down to earth and drink

from the earth of time?


EVIL-UTION


'imperfection is the language of art'                                                       

Robert Lowell

We come from the gene pool of evil-
ution and just like the countless of
millions who make up humanity that
take their chances in the pick n mix
gene pool of evil-ution.  

I'm not playing
the blame game, i know it's been a case
of bad luck that i exist in a time of econ-
omic drought and inhumane despair but
I have no one to blame for my despair.

Like everyone else I took my chances
and I'm responsible for the things I say
and do, and I'm governed by the laws
of the place I choose to dwell.  No one
is to blame, not my Mother or father who
took their chances in the gene pool just
like me and you.  

God or the government
is not to blame for my evil-ution and we
can't blame evolution for trying that's
the chance we took and it made the most
of a bad lot and I ended up paralysed in
a wheelchair unable to walk or talk with-
in my own despair but lets not play
the blame game and keep the cycle of war
famine and death going.

We have to break this chain of crus-aide and take it on the chin.  Be big boys in this big society and stand up to sit down for our rights and stop blaming others for our bad luck.  Ok were disabled that's the chances we took but only self determination can give us the right to stand up to sit down for our rights and give us a positive strain to create another positive minute, imperfection is the language of art so lets take that language of art and create a pos-itive evolution that replaces evil-ution.





GREY MATTER


I look around this room and realise my muse

has exhausted the theme of light and dark

but the shadows still fornicate.

I’ve used the bed-rail, the wheelchair

And the stand-by beacons to keep me

from drowning in dark.


My piss-pot is angled like a shooting star

Blazing my trail of hope.

My positivity comes from the well

Of treasure, the source that we call god.

Whether it is or isn’t I think the well

Of human spirit is a vessel of magic

That keeps us whole and I always


Make love with my light in the dark.




Monday, 18 November 2013

ONE FOR THE ROAD

PART1.

Adrian Peter Patrick or Patrick Peter didn't matter much to him, one was his English side and the other his Irish side he was just a scruffy little street kid.  Born in England
of Irish catholic parents, his mother from Dublin and his father from Belfast they met and wed in London, having a family of six children all born in different towns.
my father was always running from his past we moved house home and school every six months or so.  life for the children was t-chests in the living room and the mark of
pictures on or off the wall marking time to come or go.  my mother was from rat mines on the south side of Dublin, Dublin was a grim city then growing  into a free
state times were hard for Maggie and her children who decided to make a new start
for her children in London.  they had lost their husband and great father at the early age of twenty seven to tuberculosis, Maggie knew she would never be with another
as her and her children had lost their rock so a fresh start in England was the best thing even if her family disapproved, Ireland at that time was married to the church and made it known that Ireland was no place for a single mother to raise five children.

My father was born somewhere and left on a doorstep in north Belfast, both Sarah and him took any information to the grave so whether my name is Adrian peter fox is un-known and I don't really care as I look at this as the beginning.  my father never gave me jack shit so this is the beginning of my end.  my father was running from the  void
in his soul and he found a soul mate in my mothers good charm.  I'm beginning this series of poems and stories with two short stories based on the beginning and the end of their lives together whether their circumstances are true or false is up to you.


THE NOTEBOOK


Although it was late morning the sun was still warm over the south side of

Dublin draining yet another cold winter from the earth and from the hearts of the

poor.  One didn’t have to see the sun or feel the heat to know that summer had arrived

In Rathmines, the stench of the Grand Canal lingered with the cities grime.

As the church bells rang out the Angelus little Maggie blessed herself and

continued polishing Mrs Mahon’s side board.

Every Saturday she helped her mother clean the houses of the rich to help boost her

measly widows pension from the Ministry of Defence.

Her father died a few years previous, cut down is his prime of twenty seven by

Tuberculosis leaving a gaping wound in the hearts of a devoted wife and five

children.

Maggie worked alone this day, her mother was away bringing a life into the world she

was the unofficial midwife of the area.

The duster glided across the dark wood and she escaped into her Hollywood dreams

dancing and singing songs by Judy Garland with her friends on the lochs of the canal,

the stench of the filthy river forgotten.

She took a small worn notebook from the pocket in her drab tunic and flicked through

the pages of scribbled signatures and stopped at Judy Garland, a sense of pride filled

her cheeks recalling the crowds of screaming fans she battled through for that

autograph.  That little book held her treasures and was as important as her prayer

book and her legion with Mary.






She turned to the last page autographed by Rita Hayward, she remembered her

friends not believing her when she showed them the book.

‘You done that yourself’ they said sitting on a bench that ran along the canal, Pam

 and Mary  squeezed in trying to make some sense of the scribbled line.

‘I cant make head nor tail of it’, said Pam,  ‘if you gave our jimmy a bleeding pen

you’d make more sense of it’ said Mary how did you get it they asked together?

well said Maggie’,  ‘I was in Woolworth’s getting threads for my mother when this

blond lady with sunglasses came in the queue behind holding a little girls hand’.

‘Caught ya na na na na na said Pam said, Rita Hayward  hasn’t got

blond hair, ‘I know said Maggie but I remember Rinty the bell boy at the Gresham

had told me she was visiting Dublin.  ‘I read that in her next role she would be blond,

so there’.

‘I waited at the front and when she came out’ ‘I said’,‘ Miss Hayward could I have

your autograph’ , ‘what makes you think I’m Miss Hayward, , she said removing her

 sunglasses . I told her that I read about her next role as a blond and I knew she had a

little girl.

 She said for knowing so much I will sign and handed me an orange from her bag and

asked my name and shook my hand.

The two girls looked again at the scrawl of ink and knew it was Rita Hayward’s

and skipped off home along the path.

Finishing her chores she fell into the role of a movie queen strolling the highly

polished hall.  As she neared the wide steep staircase her hands raised like a ballet

dancer pirouetting in a beautiful gown in place of her drab tunic that hung around her

like an apron of poverty.



No longer a buck toothed thirteen year old Dublin girl she was the queen of

Hollywood.

She strode the staircase with the strength of Joan Crawford or  Bette  Davis

as she neared the last flight her step lightened and fell with a thud into reality and

Mrs Mahon standing at the foot of the stairs.

She looked forward to the one shilling wage and the home made cakes and tarts made

from apples and pears picked from her garden and the goodness of her heart.

As she reached the bottom step Mrs Mahon said in her soft upper class polite tone

’would you do me a favour Maggie’, the little girl nodded in response.

Go to Dan Dooley’s and get an ounce of tea, half a sugar and quarter butter and keep

the change, and Mrs Mahon handed her a shilling  and she put in her pocket with the

notebook.

 A small thin man she knew as Mrs Mahon’s brother in law stepped out of the

darkened room behind her.  ‘I'm going your way’, he said,' I'll walk with you’.

Patti wanted to rush there and back and get her wage and get home quickly.

She looked  at the little man with greased back dark hair wearing a suit that hung on

him like a hospital gown.

She looked into his eyes and sensed a sadness and thought it would be alright to walk

with him and the  big door closed behind them.

As they walked out he felt the heat of summer reacting to the searing heat in his chest

distorting his view, she smelt the strong scent of summer and said in a rush of

embarrassed utterance, ‘ I  take a short cut over two walls and across’ and before she

had time to finish,  It’s quicker this way’,  he said and grabbed her arm  and held her

scream.  He hauled her fresh young body across the garden past the big window of the

lonely house and down the side towards the back, while the flashes of red bricked

confusion seared through her young mind. 

His greased back hair fell about his thin face like a demon revealing his horns,  her

eyes leered with tear filled muffled silence to the rusting roof of the shed.

She cleared those two walls as if they weren’t there, that evil man had tore her soul

her life and legion with Mary.

She clambered towards the canal feeling a hurt worse than the grief of her dad, the

soiled blood ran down her soft white legs.

The next thing she never knew she was waist deep in the canal delving between her

legs washing away the filth of the devil.

The notebook and the money fell from her pocket and washed away in the cities

grime,  her dreams of innocence washed away with the filthy river.

The river bed of broken glass and rotting metal took blood from her feet but she was

numb to feel it through here well worn plim-soles.

She ran through the great doors of the chapel and settled under one of the worn down

pews and huddled into a ball doing penance on the stone cold floor of loss,  the lonely

lingering stench of stained immaculate conceptions engulfed her.

‘ Come out of there child, I thought you were a flea bitten dog, what’s wrong girl’,

said the voice of the servant of god.  Shivering she got of her hunkers and looked at

him in disbelief, why doesn’t he know what happened she said to herself.

A gibberish flow about losing Mrs Mahon’s money came flowing like the confusion

of pollution in her mind.

‘Go home to your mother’, said the priest, ‘God bless you girl’.







Mrs Mahon’s brother in law died of cancer some months later and Maggie knelt in the

chapel praying as the priest looked on.